Li.Kuei-Pi (b. 1991) currently lives and work in Taipei, Taiwan.
Her work is focus on the labor experience in globalization. She conveys her view of this world by show the object from work site and intervene in the production process which made the goods becomes a capitalist witness. At the same time, the audience was forced to leave a comfortable aesthetic experience and re-examine their daily work and their position in today's economic system due to object from really world and the hidden work history in the show. For her, her work is not the object in the show but the change from action in the production process. Compare other artist who focus on global capitalism to her, She is values the potential of traditional craftsmanship in resisting globalization.
Her work is focus on the labor experience in globalization. She conveys her view of this world by show the object from work site and intervene in the production process which made the goods becomes a capitalist witness. At the same time, the audience was forced to leave a comfortable aesthetic experience and re-examine their daily work and their position in today's economic system due to object from really world and the hidden work history in the show. For her, her work is not the object in the show but the change from action in the production process. Compare other artist who focus on global capitalism to her, She is values the potential of traditional craftsmanship in resisting globalization.
Educations
2013 B.F.A., Department of Sculpture,National Taiwan University of Arts
2017 M.F.A., Department of Fine Arts,Taipei National University of Arts
2017 M.F.A., Department of Fine Arts,Taipei National University of Arts
Experience
2019 “Talking Drums Radio” project in The Cube Project Space
2017 Artist-in-residency in Niv Art Center, India
2016 Artist of Dance in ASEAN-Kampuchea Sart-Art Exchange Program between Taiwan and Cambodia
2016 Artist-in-residency in Neng Sheng Xing Factory, Taiwan
2015 Artist-in-residency in Sanzhi Culture Foundation, Taiwan
2017 Artist-in-residency in Niv Art Center, India
2016 Artist of Dance in ASEAN-Kampuchea Sart-Art Exchange Program between Taiwan and Cambodia
2016 Artist-in-residency in Neng Sheng Xing Factory, Taiwan
2015 Artist-in-residency in Sanzhi Culture Foundation, Taiwan
Solo Exhibition
2020 "Diamond Island", Lookman Longshan, Taiwan
2017 "Made in India", Niv art center, India
2016 "Good bye Mr.Jang", Jumg Museum, Taiwan
2015 "If a Bookstore Could Be..", Escents Bookcase, Taiwan
2015 "When Can We Have the Ability to Produce our Very First Domertic Car on Our Own？", NO.5,Ln.18,Art Space, Taiwan
2017 "Made in India", Niv art center, India
2016 "Good bye Mr.Jang", Jumg Museum, Taiwan
2015 "If a Bookstore Could Be..", Escents Bookcase, Taiwan
2015 "When Can We Have the Ability to Produce our Very First Domertic Car on Our Own？", NO.5,Ln.18,Art Space, Taiwan
Group Exhibition&others
2020 “The System of Hyper-Objects ” 2020 Mediations Biennale Polska , Cukry Praga, Poland
2020 “Beyond Territory ”, FreeS Art Space, Taiwan
2019 “Psycho ”, GAG Moderne Art Gallery, India
2018 “Unit of Interdependency”, The Cube Project Space, Taiwan
2017 “Nowhere we meet”, Taiwan
2016 “Re：”, Wasteland Art Space, Taiwan
2016 “Division of the Commons”, Neng Sheng Xing Factory, Taiwan
2015 “Present Dump”, Freedom Men Art Apartment, Taiwan
2014 Taipei Free Art Fairt，Taiwan
2013 “Balzax，Seen from Elsewhere”, Balzax Museum, France
2020 “Beyond Territory ”, FreeS Art Space, Taiwan
2019 “Psycho ”, GAG Moderne Art Gallery, India
2018 “Unit of Interdependency”, The Cube Project Space, Taiwan
2017 “Nowhere we meet”, Taiwan
2016 “Re：”, Wasteland Art Space, Taiwan
2016 “Division of the Commons”, Neng Sheng Xing Factory, Taiwan
2015 “Present Dump”, Freedom Men Art Apartment, Taiwan
2014 Taipei Free Art Fairt，Taiwan
2013 “Balzax，Seen from Elsewhere”, Balzax Museum, France
李奎壁現生活與工作在台北，她的作品關注於全球化底下的勞動經驗，並且透過展示勞動現場的物件，與介入生產過程，使得商業產品變成對於資本主義的控訴物，來傳達她對於世界的觀點。同時，透過展示現場所挪用的真實物件與其背後勞動歷史，觀眾被迫離開舒適的審美經驗，重新審視自己每日的工作，與自己在今日經濟系統中的位置。對她而言，她的作品並非出現在展示現場的物件，而是創作過程作為行動對於生產本質所帶來的改變。相較其他同樣關注於全球資本主義的藝術家，她更重視傳統手工藝在抵抗全球化上的潛力。
學歷
2017 國立台北藝術大學美創所 碩士
2013 國立台灣藝術大學雕塑系 學士
2013 國立台灣藝術大學雕塑系 學士
經歷
2019 「話鼓電台」計畫，立方計劃空間，台灣
2017 尼夫藝術中心駐村，印度
2016 美麗柬埔寨：台柬文化交流計畫，柬埔寨
2016 能盛興國際藝術村駐村，台灣
2015 三芝文化基金會駐村，台灣
2017 尼夫藝術中心駐村，印度
2016 美麗柬埔寨：台柬文化交流計畫，柬埔寨
2016 能盛興國際藝術村駐村，台灣
2015 三芝文化基金會駐村，台灣
個展
2017 「印度製造」，尼夫藝術中心，德里，印度
2016 「再見蔣先生」，關係工作室計畫發表，朱銘美術館，台北，台灣
2015 「如果有一間書店」，關係工作室計畫發表，伊聖詩私房書櫃，台北，台灣
2015 「早安，三芝」，三芝基金會會館，台北，台灣
2015 「我們哪時才有第一部國產車」，關係工作室計畫發表，十八巷五號藝術空間，台北，台灣
2016 「再見蔣先生」，關係工作室計畫發表，朱銘美術館，台北，台灣
2015 「如果有一間書店」，關係工作室計畫發表，伊聖詩私房書櫃，台北，台灣
2015 「早安，三芝」，三芝基金會會館，台北，台灣
2015 「我們哪時才有第一部國產車」，關係工作室計畫發表，十八巷五號藝術空間，台北，台灣
聯展與其他
2020 「超物系」2020波蘭中介雙年展台灣單元，華沙，波蘭
2020 「方域之外」，福利社，台北，台灣
2019 「神遊者」，GAG現代畫廊，德里，印度
2018 「最小共存單位」，立方計劃空間，台北，台灣
2017 「無何有鄉」，台灣
2016 「Re：」，荒原藝術，新北市，台灣
2016 「公共科診間」，能盛興國際藝術村，台南，台灣
2015 「陷落當下的恐慌」，自由人藝術空間，台中，台灣
2015 「焦慮的閒情專家」，北藝大地下美術館，台北，台灣
2014 台北藝術自由日，華山1914文創園區，台北，台灣
2013 「蛤」，北藝大地下美術館，台北，台灣
2013 「他方觀點」，巴爾札克故居，巴黎，法國
2020 「方域之外」，福利社，台北，台灣
2019 「神遊者」，GAG現代畫廊，德里，印度
2018 「最小共存單位」，立方計劃空間，台北，台灣
2017 「無何有鄉」，台灣
2016 「Re：」，荒原藝術，新北市，台灣
2016 「公共科診間」，能盛興國際藝術村，台南，台灣
2015 「陷落當下的恐慌」，自由人藝術空間，台中，台灣
2015 「焦慮的閒情專家」，北藝大地下美術館，台北，台灣
2014 台北藝術自由日，華山1914文創園區，台北，台灣
2013 「蛤」，北藝大地下美術館，台北，台灣
2013 「他方觀點」，巴爾札克故居，巴黎，法國